The Ballad of Buster Scruggs was surprisingly non-political. It is a dark humor film by the Coen brothers that depicts several short stories set in the ‘Wild West.’ There is some silliness, gore, and drama throughout the entire movie, but very little political correctness.
For instance, there are a few scenes with warrior American Indians, and refreshingly enough they behave how you’d imagine warrior Indians would behave! There is a story involving a timid woman heading west in need of men’s help (these characters also openly admit their belief in God and it wasn’t satirical). Plus, there are no handicapped-hispanic-transgender protagonists, there are no head strong women beating up hardened cow boys, and there is no black on white revenge porn that was so prominent in Django Unchained.
If you like Coen Brothers films and have over 2 hours to kill, this Netflix movie is worth it! It truly feels like you’re peering into what life may have been like in the Old West. You’ll laugh, you’ll cry, but most importantly you won’t be triggered by the PC b******t!
‘Annihilation’ starring Natalie Portman had me excited, as it is the same writer and director that did ‘Ex Machina,’ an amazing film. Unfortunately ‘Annihilation’ did not meet these expectations.
Disregarding the poor scientific explanations (like a character turning into a plant because her DNA refracted like light through a prism, or a dying character’s voice transporting into a zombie bear’s vocal chords via the same refractions…WTF?), the entire premise was based on nonsensical feminism. The biggest government secret in the history of the world is immediately revealed to Portman’s character, solely because her husband was involved. The person who reveals this top secret information is the on site Psychologist (another female). These two team up with two other females, a paramedic and a scientist of some sort. The second line out of the paramedic’s mouth is her hitting on Portman’s character, because lesbians.
The reason they created this team of four females was because the previous groups were comprised of men (all of which never returned). Obviously the most rational decision is to give untrained, random women top secret government information, hand them each an automatic weapon, and send them into an unknown and highly dangerous area.
The movie luckily has some redeeming qualities, for instance, the only person that used the machine gun correctly was Portman’s character, who they explain was in the Army. The females also mostly behave like untrained women would behave if they were dropped into an unknown forest full of monsters.
In reality, I think the movie was most likely a metaphor for what people want in life, as they mention each woman is ‘broken’ in some way, looking for something. But this doesn’t excuse the ridiculous scenario of sending four untrained, non-government affiliated females into a highly dangerous and untrodden territory, just because they’re women.
Darkest Hour is what you’d expect, a long and wordy biopic. If you’re a World War II history buff, you’ll probably love the attention to detail and incredible Winston Churchill speeches performed by Gary Oldman. However, there is one scene that almost ruined the entire movie. Winston Churchill decides to ride the train to get a feel for how the blue collar layman feels about Hitler and the war. A bit on the contrived side already, but digestible. Of course, there is a man of African decent on the train, sitting amongst white people. He’s even sitting next to a white woman and giving his input and joining in the camaraderie of the train car.
This might not seem egregious at first glance, but for a move that is set on being so historically accurate, this really pulls you out of the movie. Segregation laws were not enacted in the United Kingdom until the ‘Race Relations Act of 1965.’ While it may have been possible that a black man was on a train full of white people in 1940, it is highly doubtful. And even more unbelievable is his interaction with the other people and ability to speak up and be treated as an equal. In a movie where they probably got an expert for every tiny prop, down to the napkins they use at meals, it is jarring when this scene begins. This scene never actually took place in reality, I think they just needed a black person in the credits after ‘Dunkirk’ was chastised for not being diverse enough.
See Darkest Hour but just skip past the subway scene, it doesn’t add to the movie and it is obvious feel good Hollywood b******t.